Monday, March 14, 2011

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BETWEEN THE INNOCENT AND THE

Illustration by Mark Ryden




For
Nathaly Gómez Prado
Special
The Moviola


Is infancy stage innocent and ideal life? How many can not resist the laughter of a baby or his antics? What is hidden behind the angelic faces of children?.
If we thought in the duality of childhood, few would compare with anything cruel or mocking, only we would stop to think of innocence as something pure that acquires the first years of life, but few of us imagine what happens in each of these''heads''and the magnitude of his imagination, influenced today by the consumer and the world they are exposed.
No error would be wrong, that one of the artists who has managed to see children from all angles to the darkest, is Mark Ryden, American painter born in Medford, Oregon in 1963. The protagonists of his paintings and drawings are children, in spaces that resemble children's stories and surrounded by soft toys and animals, further highlighting the role of infants. Ryden along with a surrealist style pop or lowbrow art, it breaks that innocence with symbols evoke pain, eroticism, cruelty and devotions of all kinds.
The large eyes and the eyes of the characters, are the eyes of the author who understands the world of children and their emotions.
Mark graduated from Art Center College of Design in Pasadena, California, in 1987 and earned the title of Illustrator. His strokes are right, plays with the proportions in the bodies and compared these spaces and objects, colors, pastel mixes of childhood and strong colors to highlight the realities in which children are involved and their emotions.
Each character lives their own history inundated with images and icons that experience away from your child's life and forces them to be observers of a reality that even the adults try to hide, that's what Ryden wants to express by the contrast between the gloomy and naive, dreams and fantasies that create a surreal world where anything is possible and feelings emerge to its fullest, it reminds us and gives us a clear influence of Lewis Carroll, acclaimed author of Alice in Wonderland and as in Ryden's paintings involve us in the chaotic mind and existential children.

The 80's are growing fame of this great author, is a decade that inspired by religion, modernity, technological advances, comics, etc.
1 "I think that to get ideas is to nurture the spirit. I am filled with all the things I like: pictures of insects, paintings by Bouguereau and David, books on Pheneous T. Barnum, Ray Harryhausen movies, old photographs of strangers, children's books about space and science, medical illustrations, music of Frank Sinatra and Debussy, magazines, television, Jung and Freud, Ren and Stimpy, Joseph Campbell and Nostradamus, Barbie and Ken, alchemy, Freemasonry and Buddhism. At night, my head is so full of ideas that I can not sleep. The mix and create my own doctrine of life and the universe. "Mark Ryden

Thanks to its peculiar style, great artists have been asked to play the covers of his albums, such as Red Hot Chili Peppers, Ringo Starr and Michael Jackson (for his album Dangerous). In film and literature has worked for artists such as Stephen King on the cover of his book''and''Tim Burton Desesperation with posters of his films.


Despite how nice it is to view his paintings, the message of his work, made with surrealist technique will always be a critique of modern society, which in this case directly affects those who learn and copy everything to more easily without having a choice.
Dreams must reflect the good things we want for our lives, these We created them from a reality that we undergo every day, but today we are on the verge of turning those dreams into nightmares of a collective memory that can only be satisfied by the things that give momentary happiness.


http://www.markryden.com/

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Tetric walking, breathing, hearing, smelling, RAIN, AND CRY FOR FEEL THE HUMAN.

Image action Jacobo Borges



By Santa and The Collective
sangrona Human Animal Mind Special
The Moviola





The body as a great expression of freedom, living in a city, a place with thousands of eyes on top and around the body as a body, not as an object. Is the stuff that is integrated, breaks, builds and destroys appropriating the elements that lie ahead. He is a vulnerable back, feel and loads of energy and awaken citadina to transgress human instincts but forgotten, being naked in the middle of the dresses and suits that mask, smell the smells blood when we want to appear to betray the hidden beauty own, mourn and laugh which is not allowed, which is now just to feel weak.

What has to be a man?

What is woman?

What role do you prefer?

The Performance involves aspects that have always been among us, this artistic practice is born as an end to repression, the incessant war comes as a direct way of involving the viewer in the ideas, upsetting and somewhat pleased. Throughout the history of performance as a manifestation of Western art has its roots in common as Dada, Futurism and shareholders come, we see different manifestations and interpretations produced in many parts of the world and with various forms of expression. Italian Futurists (from the manifesto published in Le Figaro in 1909 of Italian poet Filipo Tommaso Marinetti 1876 -1944) addressed the performance in its beginnings to the music of noise, mechanical movements in ballet with the beautiful interpretation of Saint Valentine - Point only futuristic performed in New York at the Metropolitan Opera House in 1917, dance companies, music by Stravinsky and proposals Malevich plastic, synthetic theater, modern circus variants among others. The Dadaists and then the Surrealists in Paris in the 20s continued the veiled and speaking presentations from the political and social issues to an audience that still shapes and resigned, artists like George Grosz, came forward and cooperated with the proclamation Dadaist anarchy. Then After this and more events, the performance takes strength to strength and acceptance within the art, being the sixties and seventies broad scenarios for action. Artists mark the contemporary art performer Marina Abramovic Serbia has worked closely for more than three decades exploring the relationship between your body and the viewer, Allan Kaprow, Jim Dine, Wolf Vostell, analyzing all the limits of the mind, and understanding the body connection as a primary means of expression. Joseph Beuys is reunited with the sacred and the spiritual, contrasting to the atrocity of this black spot and powerful sorting, numbering and destroy: The war. The

life exposure ≠ Art: Actions by Artists of the Americas, 1960-2000, brought from the museum district of New York www.elmuseo.org, the temporary exhibition rooms the bank of the republic http://www.banrepcultural .org / arts-not-a-life / home, makes a complete and detailed look at the actions undertaken in different countries in the Americas since the 60s until 2000. In this course, countries like Brazil, Argentina and the Chicano community takes much of the facts and actions with a strong political and transgressive. For these artists, the body is a sensible vehicle product demand dictatorships, social inequality and impunity that have engulfed the Americas forever and ever. Curated by Deborah Cullen exhibition organized by central themes; The destructivism as natural human tendency that is becoming closer to self-destruction, as a reflection of a world that destroys a large puff all he sees. Raphael Montanez Ortiz New York artist, museum founder and active participant in the neighborhood of the first Symposium of Destruction in art, his work shows the archaeological Finding # 21, 1961 in which he exposes a mattress completely destroyed causing a reflection on life itself, on human acts. Kristine Stiles to this movement, notes: "The destruction of art bears witness to the tenuous conditionality survival is the visual discourse of survival. It is the only attempt in the visual arts to deal seriously with the technology and the psycho-dynamics of real and virtual extinction, one of the few cultural practices to address the lack of general debate on the destruction of society. "

specific neo Brazilian artists presented a beautiful poetic view, advocating self-experimentation, subjectivity, the creation from the human and not from industrial processes involve the viewer and are opposed to the union of art and life as the only way. Artists like Helio Oiticica founder of the cultural movement called Tropicalia 60s and founder of Front (1954 - 1956), along with Lygia Clark, Lygia Pape "Art is the lowest form of knowledge of the world," with the work or ovo 1967. They all encouraged by their context, for a moment, clear ideals and the passion and conviction of the art. Body Concepts - Earth Spirit lead us to think and look at the work of the Cuban Ana Mendieta's performance with the video series in which it integrates, merges, altered and imprinted with your body vulnerable, joins forces nature. As for groups with political power and interests to highlight Tucumán Arde Rosario group of artists who worked for one year pro-union workers and cane sugar in the region of Tucumán, victims of monopoly and the farce of the government. This group identifies and judges with evidence and causes injustice through political action.


This situation and others that we find in the actions ≠ Art collected by life, still go casually in our territories are increasingly the extent of our loss of identity, lack of awareness and reaction, these artists are just a few who act, proposing ideas to the viewer and invite him to come out and say their dissatisfaction by vehicles so close to ourselves as the body, voice, life, death, dialogue, meeting with natural, so primitive that give way to art as a vital practice in man, and as an outlet from everyday life, which absorbs and limited. Through our experience with the body and animal substances, we find a way out, a way to show this city where efficiency aggressive reproach to love and we want to do productive. Produzcamos

then thousands of waste and the banks continue filling the pockets of those who do not need it, so let's turn to face ourselves and continue in that straight line, colorless imposed and broken!

Sunday, March 13, 2011

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War Photographer

Switzerland (2001)

Monday, March 14, 12m

Auditorio Jaime U. Michelsen

FREE ENTRY!


Synopsis

The protagonist is the American photographer James Nachtwey, their motivations, fears and daily routine as a war photographer, considered by many as the best and bravest that has existed . There is a tough adventurer but a wise man, thoughtful and somewhat shy.

the past 20 years has been in all wars and has probably seen more suffering and death than any other person in the world. The director has followed for two years on the front lines Battle of Indonesia, Kosovo and Palestine, using special micro-cameras placed on the protagonist's camera makes it possible to meet the famous photographer at the moment in his work.

(From http://www.grupochaski.org )

Sheet

Original Title: War Photographer

Country: Switzerland

Year: 2001

Gender: Documentary

Writer: Christian Frei

Director: Christian Frei

Inerpretación: James Natchwey, Christiane Amanpour, Hans-Hermann Klare, Christiane Breuer, Des Wright, Denis O'Neil

Fotografía: Christian Fri i , Peter Indelicato, Hanna Abu Saada

Producción: Christian Frei

Duration: 95 min .

The director (Christian Frei)

Christian Frei was born in 1959 in Schönenwerd, Switzerland. Visual Media Study at the Department of Journalism and Communication at the University of Fribourg.

In 1997, he shot his first long documentary, Ricardo, Miriam y Fidel , the story of a Cuban family that is torn between her loyalty to the revolutionary ideals and the desire to emigrate to the United States.

In 2001, his film War Photographer (War Photographer) followed photojournalist James Nachtwey for its various missions. The film was nominated for "Best Documentary Film" at the Academy Awards and won in 12 film festivals worldwide.

The Giant Buddhas (The Giant Buddhas) , His third documentary, won in 2005 the Silver Dove at the Leipzig Film Festival and comes to participate in the Sundance Film Festival in Toronto.

In 2009, his most recent documentary Space Tourist (Space Tourists) again receives numerous invitations to festivals and participates in Amsterdam and Sundance, where his film is the first Swiss origin to win the "World Cinema Directing Award.

Between 2006 and 2009 was chairman of the Committee on Documentary Film (Documentary Film Commission), Ministry of Culture, Switzerland.

Since August 2010 is president of the Swiss Film Academy.

lives and works in Zurich.

Filmography

Space Tourists (2009)

The Giant Bhuddas (2005)

War Photographer (2001)

Ricardo, Miriam y Fidel (1997)

Saturday, February 26, 2011

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Our Music (Notre Musique )

France and Switzerland (2004)

Monday Feb. 28, 12mm

Auditorio Jaime U. Michelsen

FREE ENTRY!


Synopsis

three parts entitled respectively: Hell, purgatory and paradise. Hell: various images of war, not chronological or historical. Planes, tanks, boats, explosions, gunfire and executions, fleeing populations, countries devastated, cities destroyed. All in black and white and color. Silent images, four sentences, four pieces of music. Purgatory the city of Sarajevo today, martyred as many others. Real and imaginary characters. A visit to the Mostar bridge being rebuilt symbolizes the passage from guilt to forgiveness. Paradise: a young woman we have seen in purgatory, self-sacrificing, find peace in the water at a beach patrolled by Marines pe0queña.

(From http://www.labutaca.net )


Sheet

Original Title: Notre musique

Country: France and Switzerland

Year: 2004

Gender: Drama

Writer: Jean-Luc Godard

Director: Jean-Luc Godard

Inerpretación: Sara Adler (Judith Lerner), Nade Dieu (Olga Brodsky), Rony Kramer (Ramos Garcia), George Aguilar (Indio), Leticia Gutierrez (India), Ferlyn Brass, Simon Eine (Ambassador), Jean-Christophe Bouvet (C. Maillard) Elma Dzanic, Juan Goytisolo, Jean-Luc Godard, Mahmoud Darwish, Jean-Paul Curnier

Photo: Julien Hirsch and Jean-Christophe Beauvallet

Assembly: Jean-Luc Godard

Production: Ruth Waldburger and Alain Sarde

Duration: 80 min



The director (Jean-Luc Godard)

Born in 1930 in Paris, but his childhood spent in Switzerland, where his father was developing as a doctor.
studied ethnology at the University of Paris. Then he began to work by critics for "Cahiers du Cinema", the highest body of the "nouvelle vague" in France at the time he started shooting his first short films.
When talk about his work, we have to define three stages: the first with a classical way of filming, influenced by directors like John Ford. A second which is linked to militant hand, and the third, which reflects on the digital language.
In the 60 filmed several movies. His first film
"Breathless" (Breathless) is undoubtedly a strong debut. Full of tributes to the best American cinema and the black police.
the end of the 60's his work became virtually Marxist titles like "Pravda" and "das classes Lutte" gave proof of it. The 70's found him experimenting with television and video, to reach 80 with more conventional films like "Sauve qui peut." In the 90's, began planning his most emblematic: "Les histories du cinema." Assuming commitment to the war in the Balkans in "Forever Mozart".
His plans contain cultural events, political commitment and radical aesthetics.
Godard revolutionized with his fellow "New Wave" (Rivette, Truffaut, Chabrol, Rohmer ) how to make movies, and also to look at it. Subsequent generations showed a different path toward the cultural industry.
His accomplishments inexpensive, made with sophisticated equipment were not distributed outside of the conventional circuit. Bothering them, facing the film industry positions mostly agree.
emotional stories with beauty, with commitment, told by the artist with a taste for the cinema. Someone you can not fall on average, admire or despise him, never ignored.
"Photography is truth. And cinema is truth 24 times per second."



Filmography

Film socialism 2010, Director and Screenwriter

Our music 2004, Director and Screenwriter.

Praise of Love 2001, Director and Screenwriter

King Lear 1988, Actor, Director and Screenwriter

I Hail Mary 1984, Director and Screenwriter

Passion 1982, Director and Screenwriter

China's 1967 , Director and Screenwriter

Week-end 1967 , Director and Screenwriter

Alphaville 1965, Director and Writer

Pierot El Loco 1965, Director and Screenwriter

Lemmy against Alphaville 1965, Director and Screenwriter

Contempt 1963 , Actor, Director and Screenwriter

Rogopag 1962, Director.

A married woman 1962, Actor, Director and Screenwriter

Live your life 1962, Director and Screenwriter

A Woman is a Woman 1961, Director and Screenwriter

The soldier 1960, Actor, Director and Screenwriter

the end of the trip 1959, Actor, Director and Screenwriter