Image action Jacobo Borges 
By Santa and The Collective
sangrona Human Animal Mind Special
The Moviola
The body as a great expression of freedom, living in a city, a place with thousands of eyes on top and around the body as a body, not as an object. Is the stuff that is integrated, breaks, builds and destroys appropriating the elements that lie ahead. He is a vulnerable back, feel and loads of energy and awaken citadina to transgress human instincts but forgotten, being naked in the middle of the dresses and suits that mask, smell the smells blood when we want to appear to betray the hidden beauty own, mourn and laugh which is not allowed, which is now just to feel weak.
What has to be a man?
What is woman?
What role do you prefer?
The Performance involves aspects that have always been among us, this artistic practice is born as an end to repression, the incessant war comes as a direct way of involving the viewer in the ideas, upsetting and somewhat pleased. Throughout the history of performance as a manifestation of Western art has its roots in common as Dada, Futurism and shareholders come, we see different manifestations and interpretations produced in many parts of the world and with various forms of expression. Italian Futurists (from the manifesto published in Le Figaro in 1909 of Italian poet Filipo Tommaso Marinetti 1876 -1944) addressed the performance in its beginnings to the music of noise, mechanical movements in ballet with the beautiful interpretation of Saint Valentine - Point only futuristic performed in New York at the Metropolitan Opera House in 1917, dance companies, music by Stravinsky and proposals Malevich plastic, synthetic theater, modern circus variants among others. The Dadaists and then the Surrealists in Paris in the 20s continued the veiled and speaking presentations from the political and social issues to an audience that still shapes and resigned, artists like George Grosz, came forward and cooperated with the proclamation Dadaist anarchy. Then After this and more events, the performance takes strength to strength and acceptance within the art, being the sixties and seventies broad scenarios for action. Artists mark the contemporary art performer Marina Abramovic Serbia has worked closely for more than three decades exploring the relationship between your body and the viewer, Allan Kaprow, Jim Dine, Wolf Vostell, analyzing all the limits of the mind, and understanding the body connection as a primary means of expression. Joseph Beuys is reunited with the sacred and the spiritual, contrasting to the atrocity of this black spot and powerful sorting, numbering and destroy: The war. The
life exposure ≠ Art: Actions by Artists of the Americas, 1960-2000, brought from the museum district of New York www.elmuseo.org, the temporary exhibition rooms the bank of the republic http://www.banrepcultural .org / arts-not-a-life / home, makes a complete and detailed look at the actions undertaken in different countries in the Americas since the 60s until 2000. In this course, countries like Brazil, Argentina and the Chicano community takes much of the facts and actions with a strong political and transgressive. For these artists, the body is a sensible vehicle product demand dictatorships, social inequality and impunity that have engulfed the Americas forever and ever. Curated by Deborah Cullen exhibition organized by central themes; The destructivism as natural human tendency that is becoming closer to self-destruction, as a reflection of a world that destroys a large puff all he sees. Raphael Montanez Ortiz New York artist, museum founder and active participant in the neighborhood of the first Symposium of Destruction in art, his work shows the archaeological Finding # 21, 1961 in which he exposes a mattress completely destroyed causing a reflection on life itself, on human acts. Kristine Stiles to this movement, notes: "The destruction of art bears witness to the tenuous conditionality survival is the visual discourse of survival. It is the only attempt in the visual arts to deal seriously with the technology and the psycho-dynamics of real and virtual extinction, one of the few cultural practices to address the lack of general debate on the destruction of society. "
specific neo Brazilian artists presented a beautiful poetic view, advocating self-experimentation, subjectivity, the creation from the human and not from industrial processes involve the viewer and are opposed to the union of art and life as the only way. Artists like Helio Oiticica founder of the cultural movement called Tropicalia 60s and founder of Front (1954 - 1956), along with Lygia Clark, Lygia Pape "Art is the lowest form of knowledge of the world," with the work or ovo 1967. They all encouraged by their context, for a moment, clear ideals and the passion and conviction of the art. Body Concepts - Earth Spirit lead us to think and look at the work of the Cuban Ana Mendieta's performance with the video series in which it integrates, merges, altered and imprinted with your body vulnerable, joins forces nature. As for groups with political power and interests to highlight Tucumán Arde Rosario group of artists who worked for one year pro-union workers and cane sugar in the region of Tucumán, victims of monopoly and the farce of the government. This group identifies and judges with evidence and causes injustice through political action.
This situation and others that we find in the actions ≠ Art collected by life, still go casually in our territories are increasingly the extent of our loss of identity, lack of awareness and reaction, these artists are just a few who act, proposing ideas to the viewer and invite him to come out and say their dissatisfaction by vehicles so close to ourselves as the body, voice, life, death, dialogue, meeting with natural, so primitive that give way to art as a vital practice in man, and as an outlet from everyday life, which absorbs and limited. Through our experience with the body and animal substances, we find a way out, a way to show this city where efficiency aggressive reproach to love and we want to do productive. Produzcamos
then thousands of waste and the banks continue filling the pockets of those who do not need it, so let's turn to face ourselves and continue in that straight line, colorless imposed and broken!
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