For
Andrès Romero Baltodano.
After the wonderful International Documentary 12 where we go from desert to the tears of a Russian poet suicide and saw many "Docus" that amid this storm of love and silence we have the presence of producer Marta Andreus brought the documentary "Palo/108 Knife" by Renate Costa (Paraguay.2010) we sneak up on this film and with tears in our door we write this ...
there under the shadow of a man perhaps his last and that the shadows do not give it the edge ...
108.
A larger number of points. Arabic numbers passing through creation of the Arabs over the issue of free association with the name, but in reality they are invented in India.
108.
could be the result of a hotel room where James Dean read an excerpt from the Koran.
could be the number you put in a sack when it comes to the laundry, in a yellow slip. Paraguay
But say 108 is scary, maybe panic fright.
Let us place ourselves in the fifties to give us more panic:
Stroessner in Paraguay.
Peron in Argentina. Trujillo
Dominican Republic.
Getulio Vargas in Brazil.
Anastasio Somoza in Nicaragua.
It breaks the ground and bury it who do not sympathize. On the streets, silence takes over the population and who try to walk in the opposite direction to power, will be eliminated or tortured or simply disappeared. And if that happens to those who are on the banks of the political, those minorities will be excluded, that same society has the luxury of "set aside" under conditions of morality uniquely and absurd?. Renate
Paraguaya Costa is a filmmaker, who once came to Barcelona at the Masters in Creative Documentary at the Universitat Pompeu Fabra and met Marta Andreu, who told us that initially Renate I wanted was to tell the story of his uncle, who was found dead naked in the backyard.
Andrès Romero Baltodano.
After the wonderful International Documentary 12 where we go from desert to the tears of a Russian poet suicide and saw many "Docus" that amid this storm of love and silence we have the presence of producer Marta Andreus brought the documentary "Palo/108 Knife" by Renate Costa (Paraguay.2010) we sneak up on this film and with tears in our door we write this ...
there under the shadow of a man perhaps his last and that the shadows do not give it the edge ...
108.
A larger number of points. Arabic numbers passing through creation of the Arabs over the issue of free association with the name, but in reality they are invented in India.
108.
could be the result of a hotel room where James Dean read an excerpt from the Koran.
could be the number you put in a sack when it comes to the laundry, in a yellow slip. Paraguay
But say 108 is scary, maybe panic fright.
Let us place ourselves in the fifties to give us more panic:
Stroessner in Paraguay.
Peron in Argentina. Trujillo
Dominican Republic.
Getulio Vargas in Brazil.
Anastasio Somoza in Nicaragua.
It breaks the ground and bury it who do not sympathize. On the streets, silence takes over the population and who try to walk in the opposite direction to power, will be eliminated or tortured or simply disappeared. And if that happens to those who are on the banks of the political, those minorities will be excluded, that same society has the luxury of "set aside" under conditions of morality uniquely and absurd?. Renate
Paraguaya Costa is a filmmaker, who once came to Barcelona at the Masters in Creative Documentary at the Universitat Pompeu Fabra and met Marta Andreu, who told us that initially Renate I wanted was to tell the story of his uncle, who was found dead naked in the backyard.
all started with a dead, but they did not know that behind this, many more would come knocking on the door of this harrowing documentary called "wooden knife / 108." Renate
wondered why his uncle was "rejected" and "island" within the same household and the fact that the guy was gay is what leads her to begin a journey that will make travel between the macabre and happy and between love and the eternal.
wondered why his uncle was "rejected" and "island" within the same household and the fact that the guy was gay is what leads her to begin a journey that will make travel between the macabre and happy and between love and the eternal.
documentary narration so particular and so epiphanic, which lets you build with no logic but logic architect particular musician or photographer of the post Russian revolution. A window here that hunts with a dog that barks, a napkin which is listed a phone, which is broken at the tips, which can be sewn to an avenue where they torture just for fun.
lasted three years and reconstructive alchemical process, "said Andreu, that the more impressed them more roads opened and closed, appeared like a game tracks Arsenio Lupin, talked about, others were silent, the shadow of a monster called Stroessner (who ironically died little calm in his bed in Brazil) who is blamed for more than 4,000 people were killed and many disappeared, is making a shadow on the past Renate's uncle's hand Renate deep conversations with her father, taking a turn to match the box, where sometimes the referee away (such as missing Paraguayos) and sometimes in silence left the ring like a wounded sea lion, who calls his love as the last resort to float.
Float. Sink. Nadar. That's what happens in this thrilling documentary. The story may be the neighbor of the family, the millions living in anxious states, where its states, kneel and shot fulminate like bulbs. The story goes
entering territories to remove the masks, to have panicked why a guy like Stroessner, of leaning to the plight of millions of human beings for choosing a wig, are kicked and scorned while others (which is not the wig) probably are more lethal to their own people. Finally
a painful biopsy appears as a snake that enters the body, to discover the disease of indifference and shame that can nest in a family within their own members.
the end a homeless stray dog \u200b\u200bpursues the camera and you do not know if it is a heartbreaking tribute to the 108, the voiceless, those arrested for the crime of an announcer in 1959 for being gay (may 108 kill people or be one that is more likely the opposite?).
Upon leaving the room we have a lump in my throat and a "supreme discomfort" of the world know that these things happen, while millions of eyes watching the TV and say, shrugging his shoulders, something be done.
Float. Sink. Nadar. That's what happens in this thrilling documentary. The story may be the neighbor of the family, the millions living in anxious states, where its states, kneel and shot fulminate like bulbs. The story goes
entering territories to remove the masks, to have panicked why a guy like Stroessner, of leaning to the plight of millions of human beings for choosing a wig, are kicked and scorned while others (which is not the wig) probably are more lethal to their own people. Finally
a painful biopsy appears as a snake that enters the body, to discover the disease of indifference and shame that can nest in a family within their own members.
the end a homeless stray dog \u200b\u200bpursues the camera and you do not know if it is a heartbreaking tribute to the 108, the voiceless, those arrested for the crime of an announcer in 1959 for being gay (may 108 kill people or be one that is more likely the opposite?).
Upon leaving the room we have a lump in my throat and a "supreme discomfort" of the world know that these things happen, while millions of eyes watching the TV and say, shrugging his shoulders, something be done.
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